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The music itself sounds modern, but it does have the authority of the eighties’ ancestry. GOTHIC.HU: Listening to your live gigs and the EP Hi Rez Lo Life, it’s hard to mistake the taste of the turn-of-the-century electroindustrial: I feel rust in my mouth and it punches through chromed steel rods through my chest. As for LD50: I would still consider it a good idea to have a big community forum (only I would run this differently now) - but now it is in little inclusions that the underground survives in the community space dominated by Facebook - and it does have its own perks and pros. Music came back to me a bit later after that. After the book got published, I said I didn’t want to write at all for a time - strangely enough, words seemed to elude me. The prologue was like a freight train, noisy and loud - there was a lot of lecturing and teaching and article writing to set up the book itself, but the epilogue of it is just scattered fireflies - some people clearly did not get it, some had problems with density or the style itself, the company responsible for online support got bankrupt and pulled off the servers so abruptly I did not even had time to get a final screenshot…so there was a good mixture of good and bad throughout. Although I had a publisher, in 99% it was me and friends and acquaintances who helped with promotion. And Damage Report, which was a 400+ frustration rush about why technology is good and people being really bad at managing technology and each other. What happened with you since then, any personal milestones to point out?ĭAMAGE: I stayed on the music/technology axis, I’m just trying to ride it from a different angle :) I had run-ins with music startups (conclusion: even the best ideas can be ravaged by fundamental human errors most startups sink the idea of “let’s rush everything and bring out the minimal viable product” makes me sick), news portals (I love thinking back on the years spent at HVG Online) and lots of ephemeral projects and ideas but if I had to pinpoint milestones, that would surely be the music project. GOTHIC.HU: The musical subcultural environment that I moved and move in, primarily connect you to LD50 (to non-Hungarian readers: this was an alternative community site, pre-Facebook times, 2001-2012, organizing a lot of parties and gigs as well). My questioning partner was DJ Gelka, someone in the Hungarian scene a lot of us can be thankful to for keeping the very true Goth spirit alive - and he also let me post this translation to my blog in English. This week I'm sharing an interview translation with you - this week the long-standing site gothic.hu did an interview with me.

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